#Sort of lol

[steddieasitgoes]

@novacorpsrecruit you can't hide this in the tags:

#I like to think when Eddie gets more involved with Dustin that Dustin has Eddie drive him to family video#fully expecting him to rent a movie and go home#but Dustin makes himself comfy and encourages Eddie to do so#so they could all judge customers together#stranger things

Now I'm thinking about Dustin accidentally being the reason Steve and Eddie get together. They do start out as rivals vying for Dustin's attention but then they release they can annoy the kid more by teaming up together and it doesn't take long for their solo hang outs to strategize how best bother Dustin turn into just solo hang outs where they get to know each other

Dustin never lives it down

Just started reading the new Dustin book and I’m obsessed with this concept

[eriochromatic]

Not sure if I ever shared this panel redraw I did from last year

[claypigeonpottery]

a lidded container commission, just finished yesterday

[tourettesdog]

Happy Halloween!

Meant to post this little guy sooner. I still want to try and get an Etsy up soon, but until then-- got this fella up on Redbubble 💜

[lizardkingeliot]

This moment cannot be captured in gifs. You can feel the madness in Lestat's mannerisms and hear it in his voice. He is not even a little bit okay. This early part of the performance is based on the biggest lie of the trial: that Lestat was the one who was hunted by Louis. And I imagine that was the hardest thing to sell for him. The idea that he hasn't always wanted Louis from the very moment he laid eyes on him. It's understandable that he almost lost himself a second later. That he dissociated and forgot his lines. That standing there and lying about that truest truth of their early love story—that Lestat wanted him so much it was agony—was nearly an impossible task for him...

I'm going to need to digest the episode a bit more and rewatch the whole thing to fully grasp what I think Armand the coven was doing when they forced him to lie about this specifically when so much of the rest of the performance was based on truth (and Louis confirmed as much when he said Lestat's recounting of Claudia's turning was accurate). But I think it's probably just that it plays into the whole Lestat The Victim narrative they were trying to sell much better...

[thatscribblingrat]

i made something entirely for fun and i enjoyed every second!! text based rp is probably the hobby i spend the most time on, and i love multifandom rp especially the most. i'd love to do some more in depth zines on the subject, but this one is a silly one, just for funsies.

you can download this zine, including the fun inner page we designed for the print version with actual quotes from our actual rps on Itch.io or Ko-fi ... and support me making good fun art for fun!!!

[taiyo-tenebris]

All the valiant little Ghost Trick critters :3

★ Art-only blog: @taiyo-tenebris-art | Deviantart: Taiyo-Tenebris ★

[chestnutroan]

1920s 1930s ish neanderthals quick portraits!

[conceptofjoy]

HELLO EVERY NYAN!!!!!

[yamisnuffles]

I love Aziraphale because he's expected to be hard, to be a warrior, but he chooses to be soft. He's not gentle, kind, and good because he's an angel. We've seen what the other angels are like and many of them are anything but. And there's no doubt that he could be that warrior if he wanted. He was issued a flaming sword, after all. But he gave it away and seemed none to eager to use it when he finally picked it up again. No, he is who he is because he chooses to be that way again and again.

I adore that. In a world that's often so hard and in a system that expects him to be just as hard, he chooses to be soft. To be silly. He learns to dance even though angels don't dance. He learns magic and French the human way. Successful or not, he likes playing parts, living it up as a double agent and newspaperman. He wears glasses because he thinks they're nifty. He enjoys eating food and going to the barber not because he has to but because he likes being pampered. To be fussy and indulgent. Despite strength and miraculous powers, he makes himself vulnerable so that he can be coddled and rescued.

And it's not like it's easy for him. He has to struggle against what's expected of him and against judgment from the other angels. He was worried about doing the wrong thing before the beginning, before there was even really a concept of the wrong thing. He's so terribly anxious but he doesn't let it stop him from trying to do real good. He did his part to save Job's family, even when he was certain he would fall for it.

Most difficult of all, he loves. Is in love. A thing humans do, he says to the Archangels in S2. So that's not just some easy, natural, angelic thing for him. It's very human and very scary because it's not really something he's meant to do and especially not with a demon. But he pushes slowly forward as best he can. He risks small touches and can't help but wear his heart on his sleeve with that all too expressive face. He's the angelic embodiment of heart eyes. Because he wants to love and be loved.

This isn't all he is, of course. He can be bitchy and petty and hard when pushed. He can be the warrior he was built to be. Those aren't bad things. Just enough of a bastard and all that. But just enough also means they also don't define him.

Which is where my frustration comes in. I understand the desire to flip the script sometimes. I like to do it myself from time to time and definitely think Aziraphale should be allowed to take charge. But it feels like, more often than not, large parts of fandom have taken those moments and made them all of who he is. Of the two of them, he's often made to be much more impassive and distant than Crowley. It's Crowley who is more emotional, who is more overcome physically. Despite the fact that it's almost entirely Aziraphale in canon who reaches and touches. Despite Michael Microexpressions Sheen putting so much open heart into Aziaphale's face. He isn't allowed to be soft and needy, comforted, coddled, and rescued. To be the one who yearns and lets himself be weak with it.

Just... let him be soft and silly. Let him be the person he most often chooses to be.

[pocketwei]

WREAK HAVOC UPON HEAVEN AND HELL

there is a fic for this now

(no text version under the cut)

[izzyspussy]

i once read or scrolled past or saw a post about an au where kash accidentally hits ian when he shoots at mickey, and i remember literally nothing about it but it's stuck in my head. so.

au where kash accidentally hits ian when he shoots at mickey. he calls 911 right away of course, and neighbors call too because of the gunshot. paramedics and cops arrive, and with ian out of it it's kash's word against mickey's. so obviously What Happened is that mickey was robbing the place - which he's been documented doing before via the cameras - and kash shot at him and mickey pushed ian into the line of fire. so they're arresting mickey and loading ian into the ambulance, and they're letting kash in with him.

mickey is fighting like hell. he's shouting at the paramedics that they can't let kash in the ambulance with ian because he shot him - and maybe from mickey's point of view it looked like an accident, but maybe it didn't. hey who knows, crimes of passion and all, maybe it really wasn't. so mickey is absolutely flipping shit. he's got two grown ass cops on him trying and failing to get him into a car even though he's already cuffed.

and lip just happens to be walking by. and mickey just happens to see him, and starts screaming his head off for him. and lip of course was already coming closer in worry since he knew ian was working today. mickey fights the cops harder and harder as lip gets closer, shouting to lip that kash shot Ian and shouting to the paramedics that lip is ian's brother. in the end, the paramedics kick kash out and let lip in for the sake of putting a stop to the hold up.

mickey keeps his fight up, getting knocked around, arms twisted, head slammed into the car door, punched, and everything, all the way up until the second lip gets in the ambulance with ian. he's asked if he's resisting arrest (tricked into confessing, oink oink you know how it is) and he says, "damn fucking right I'm resisting arrest, I didn't fucking do anything!"

maybe one cop is sympathetic or still thinks she has an honest job. she points out to mickey that they have kash's testimony, mickey at the scene, and months of evidence of previous acts of the same crime he's accused of now. she says in order to have any doubt that he's guilty, he needs to tell them what he was actually doing. he stands there for a moment, glaring up at her with his teeth grinding. and then he silently, stubbornly puts himself into the car. (and yes, of course this wounds the pathetic egos of the pigs. acting with his own autonomy rather than being forced by their power? how disrespectful!!)

at the station, mickey uses his one phone call to reach the gallagher house. the slightly less bastard cop is long gone now, leaving mickey with the proud boys (reference intentional lol). they deny him his call at first, but he makes enough of a racket about it they give in pretty quick for appearances sake. they tell him he only has three minutes.

mickey tells fiona in a rush (the bare bones of) what happened, what hospital was on the side of the ambulance, that lip is with ian. and he gets most of the way through begging her to let him know if ian is okay before the cops take the phone away from him. fiona hears him protesting he didn't get the time they promised before the line cuts off.

ian is fine of course. nothing important got hit, the bullet didn't fragment or get stuck. they're able to pull it out low risk, stitch him up, and he's home within the week (or uh... whatever amount of time he would be home in). there's a delay between that and when anyone thinks to let mickey know of course, none of the other gallaghers other than lip know he and ian even know each other, beyond knowing Of each other.

but eventually, lip goes to deliver the happy news to mickey in juvie. mickey gets brought out for visitation, has to be restrained briefly when he makes too sudden a move after seeing who it is. he stiffly tolerates some mild verbal abuse from the bull escorting him (the little piggies don't like him, and they oink oink amongst themselves; even if he wasn't uppity he's got that name on him, and you know what fascists say about apples and the trees they fall from).

mickey isn't even fully in his seat yet, phone barely to lip's ear, before he's demanding, "is he okay?"

lip lets a pause settle, not really out of cruelty or power tripping or any reluctance to tell mickey about ian - if he was he wouldn't have come at all - he's just... slowly figuring mickey out.

he says, "didn't realize you cared."

he also didn't expect mickey to react the way he does. he actually flinches a little bit - if blinking hard counts as a flinch, which in southside it does - when mickey slams his hand down on the little table holding up their partitioned off booth, demanding again, "is he fucking okay?" it would be a snarl or something similar, if mickey's voice didn't crack (juuuusst enough for lip to notice).

"jesus, yeah he's- he's fine," lip blurts, half in surprise half in (perhaps uncharacteristic) mercy. "didn't hit anything important, he's already home."

mickey visibly slumps in relief, practically collapsing onto the table, only held up by his own hand on his forehead to hide his eyes. his hitching gasp and shaky sigh, the slightly wet quality of his next breath, are all clearly audible through the shitty, muffled and crackly phone-to-phone line.

lip solves the mystery. if it was ever much of one.

"...you love him." it's not a question, but he's careful to keep his tone flat and his voice as low as possible. nonthreatening to mickey, hopefully (he's not looking to be smeared on the sidewalk when mickey gets out), and kept private from the other delinquents if unfortunately not the bulls (but maybe mickey will get lucky and they won't listen to the recording unless they find an excuse to).

mickey looks murderous at first. so murderous lip wants to lean back (he doesn't, of course, you never show your belly like that). but... maybe it's because ian got shot, or maybe it's something else, but after a moment mickey is just the same tired and scared kid trapped and abandoned in the gutter of the city as the rest of them.

he can't meet lip's eyes, but he doesn't deny it. doesn't threaten. he just pleads (or at least, he comes as close to pleading as an early seasons milkovich can get), "don't tell him."

"why?" lip asks. mickey rolls his eyes dramatically, ends it on another vicious glare.

"come on, ain't you s'posed to be the smart one?" he sneers. he thumbs at his lip, you know the way he does, looks away to the side again. "if he thinks for one second there's something- that we could- he's already getting fucking shot, and we're just- ...he'll get us both killed. or worse."

"what the fuck's worse than killed?" lip snorts, thinking it'll be something stupid, mickey's priorities all warped.

"pretend we're women," mickey says darkly. "you'll figure it out."

so... lip doesn't tell. it's an au where mickey realizes he's in love with ian, that they're in love with each other, years sooner. he's even admitted it, sort of. just... not in words, or even actions (yet) really. and it's an au where lip knows mickey and ian are in love before ian so much as thinks they could be someday - and keeps it from him.

i'm almost tempted to write it, but i doubt there would be a worthwhile return on that investment. not to mention i'd have to rewatch the show, and i'm pretty sure that qualifies clinically as self harm.

c'est la vie.

[lizardkingeliot]

The thing is tho... okay.

Here's the thing.

AMC’s Interview with the Vampire has so effectively driven home the point that Lestat loves Louis without condition and will continue loving him to the same degree forever regardless of the passage of time and regardless of what Louis has done that sometimes it's easy to forget that, like... Louis doesn't actually know that. Sometimes I'm really just like what do you MEAN Louis de Pointe du Lac doesn't know he's Lestat de Lioncourt's heartbeat now and forever Louis de Pointe du Lac do you even watch the SHOW.

Anyway. I don't know what I'm trying to say here but I think it's something about the romantic angst of it all. The way Lestat is going to be forced to betray Claudia and Louis in Paris during the trial leaving Louis with the belief that Lestat doesn't want him. He will view this as a rejection and this is the reason why he is going to spend the next 77 years of his life with Armand. This is why he couldn't just reach out to Lestat post-Paris and try to work things out. I’m not saying anything new here, I know. Most of us have worked this out already. It took me a while to get there yesterday when I was digesting the episode because, like I said, Lestat’s love is so obvious it’s easy to forget Louis really doesn’t know. But listen….

Louis is deeply unwell in 1973 San Francisco. When Lestat asks him why he’s ill all I can think right now is… well. Because he doesn’t have you. Even before he walked into the sun he was ill because he doesn’t have you. Ill in New Orleans after the deed was done. Ill in Paris and sustaining himself with memories so vivid it was like Lestat was there in the room. Ill in San Francisco when Armand could have ended it all by relaying Lestat's words to Louis, and didn't. Ill in Dubai searching the well of memory trying to find his way back to something like sanity again...

But listen. Sam Reid said Lestat very much thinks Louis is dead after 1973. This tracks. It fits very neatly with the ~theme. With what this season is trying to do wrt the romantic angst of it all. Maybe Lestat is still locked up in a dungeon or underground somewhere sleeping, maybe he isn't. Maybe he's rotting away in New Orleans, wrecked with grief, thinking about walking out and greeting the sun every morning when it rises and he's reminded Louis is gone. I guess we'll find out soon enough…

But listen. There's not some great conclusion I'm trying to arrive at with this post. I'm just spinning my wheels thinking about how delicious the tropes on this show truly are. To separate a love like that, to have Louis believe Lestat doesn't want him and have Lestat believe that Louis is dead. Well, friends... that sounds like a recipe for a grand reunion to me. And maybe what I'm trying to do with this post is toss another coin in the wishing well of a potential season 3. Because you can't have a love story like this that is destined to end in a reunion only to come back the next season to pretend it doesn't matter. I don't know. Maybe you can. But I really hope they don't. I really hope when they come back together at the end of this nightmare, when Lestat is finally permitted to have a voice of his own, that voice will be echoing through the halls of their home, because he'll be telling his story to Louis.

[captainhysunstuff]

It was nice of the Death Note animators to give us a scene of Light undulating on top of L and yelling in his face.

At least they’re using six feet of protection.

The scene for those who’d like to relive this dubbed moment of anime history (undulating starts at 2:20)

[necrophatic]

Been a while since I drew these two

*Moses Voice* Leave that man alone!

EDIT: made it into a video lol

[cappiecarp]

welcome back yuzumako nation it has been too long happy yuris day or whatever

sort of a panel redraw of this but like not really